I believe the right foreground displays Clifton Webb and Marilyn Miller, who first sang the number. At left is co-star Helen Broderick.
Webb recorded the song for Victor with conductor Leo Reisman, and it's the first entry in today's "Parade of 'Easter Parades'," a collection of 10 diverse interpretations of the song, including the best known renditions and some lesser recognized discs as well.
| Henry Hall |
A much different approach to the song was taken in 1939 by the Jimmie Lunceford band, performing a stylish arrangement by Sy Oliver. This swing version has a smooth vocal by Trummy Young, trombonist in the band and later a long-time associate of Louis Armstrong.
| Jimmie Lunceford and Trummy Young |
Bing Crosby had a go at the song for his 1942 film Holiday Inn, where he warbled to Marjorie Reynolds and her Easter bonnet, as seen below. For his commercial recording Bing had to be content with the Decca microphone and maestro John Scott Trotter. (The complete Holiday Inn recordings are here.)
The most famous recording of "Easter Parade" may be the one in the 1948 film of the same name, as performed by Judy Garland and Fred Astaire, who look splendid promenading below. The soundtrack version may be celebrated, but in truth Garland's singing does blare a bit.
| Judy and Fred |
| Freddie Mitchell |
The following year, the duo of Margaret Whiting and Jimmy Wakely were in the Capitol studios to record one of their bigger hits, "Let's Go to Church (Next Sunday Morning)" along with its flip side, their take on "Easter Parade." Both featured the same creaky organ accompaniment.
Back then, the fashion in jazz circles was to record a noted soloist accompanied by sumptuous strings, following the success of alto saxophonist Charlie "Bird" Parker in that setting. Trumpeter Roy Eldridge got the treatment in late 1951, with his accompaniment arranged and conducted by George Williams. Eldridge recorded this cushiony interpretation for Mercury.
| Roy Eldridge |
| The Ray Charles Singers at a recording session. The leader is to the right of the microphone. |
The recordings in this collection were remastered from Internet Archive and my collection.